The Burning Times Story and why I recorded this special project for my second solo album.
For many years, starting at age 15, I’ve performed Scottish traditional folk songs. I’ve always felt a deep connection to the era of the Highland Clearances in Scotland, starting around 1746, a period marked by immense suffering and displacement.
Scotland’s final stand at Culloden, led by Bonnie Prince Charlie, ended in defeat; the smell of smoke and blood still heavy in the air. In contrast to previous Scotland-England battles, this conflict initiated a new form of warfare—a ruthless ethnic cleansing of the Highlands, characterized by bloodshed and forced displacement.
The scent of woodsmoke and fear hung heavy in the air as Cumberland’s redcoat army, known for their mercilessness, swept through the Highlands to eradicate the Highland chiefs and their clans.
In their pursuit, they ruthlessly hunted down and killed numerous highland warriors after the battle, extending their brutality to the families of the fallen, often resulting in murder and the sounds of suffering. Men, women, and children alike suffered through the horrific event, their cries echoing through the ravaged landscape.
The echoes of these times resonate in the melodies and lyrics of countless songs, each telling a unique story of love, loss, and everything in between. I longed to craft songs that steered clear of the typical imagery of clashing steel and booming gunfire, opting instead for a different kind of narrative. My focus shifted to the emotional impact on those impoverished highlanders after the event, imagining their despair and struggle.
This album is full of songs that capture the essence of these times, each track resonating with the anxieties and hopes of the era. The album’s emotional range spanned from joyful celebrations to poignant sorrows, incorporating the iconic Skye boat song, a piece not written by me.
Instead of writing another song, I felt it was essential to integrate the thrilling escape of Bonnie Prince Charlie from the mainland to the Isle of Skye, capturing the tension and suspense of that fateful journey. He set sail from there, the wind filling his sails, and successfully reached France, escaping Cumberland’s pursuing troops. The songs held wishes of return, a stark contrast to his own sorry, lonely life spent in exile, a life from which he never returned.
Therefore, nine of the ten tracks are original songs, and I suggest perusing the accompanying notes for each before listening to fully appreciate the lyrics’ significance.